Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
...Thinking through . . . craft? Isn’t craft something mastered in the hands, not in the mind? Something consisting of physical actions, rather than abstract ideas?Well, it all depends. Writing about craft usually concerns itself with “the...
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
... Peteran, who might almost be taken for one of Droog’s design stable, if he were not so good at making unique art works.
For more on Peteran, see
GlennAdamson...
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
...Work, practice, and site: three words that contemporary art would have a tough time getting along without. Anything made by an artist can be a work; anything an artist does can be a practice; and anywhere this happens can be a site...
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
...As Ad Reinhardt supposedly said, “sculpture is something you bump into when you back up to look at a painting.”
This line, possibly apocryphal, is most often attributed to Ad Reinhardt. Peter Selz however recalls that the line...
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.
...Thus far, this book has dealt with craft as a problem case within modern art history. I have presented binary situations in which art and craft have been pitched against one another, according to key terms of difference (autonomous...
Glenn Adamson is Head of Graduate Studies and Deputy Head of Research at the Victoria & Albert Museum. He is also author of The Craft Reader (Berg, 2009) and Thinking Through Craft (Berg, 2007). Author affiliation details are correct at time of print publication.