Bloomsbury Design Library
Loading
Suffrage and the Arts

Suffrage and the Arts: Visual Culture, Politics and Enterprise

by Miranda Garrett

Miranda Garrett is based at Central Saint Martins, University of the Arts London. In addition, she is a freelance museum professional and has previously worked at the Society of Antiquaries of London, Historic Royal Palaces and Leighton House Museum, all in the UK. Author affiliation details are correct at time of print publication.

Search for publications
and Zoë Thomas

Zoë Thomas is Lecturer in Nineteenth-Century Britain and the Wider World at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

Search for publications
(eds)
Bloomsbury Visual Arts, 2019
  • DOI:
    10.5040/9781350011847
  • ISBN:
    978-1-3500-1186-1 (hardback)

    978-1-3500-1182-3 (epdf)

    978-1-3500-1183-0 (epub)

    978-1-3500-1184-7 (online)
  • Edition:
    First edition
  • Place of Publication:
    London
  • Published Online:
    2019
Suffrage and the Arts
Collapse All Sections

Suffrage and the Arts re-establishes the central role that artistic women and men—from jewellers, portrait painters, embroiderers, through to retailers of ‘artistic’ products—played in the suffrage campaign in Britain. As political individuals, they were foot soldiers who helped sustain the momentum of the movement and as designers, makers and sellers they spread the message of the campaign to new local, national and international audiences, mediating how suffrage activism was understood by society at large. Published to coincide with the centenary of the 1918 Representation of the People Act, which granted the vote to women over the age of thirty meeting a property qualification, this edited collection offers a range of new perspectives and readings of the outpouring of creative responses to the campaign.

Contributors, who include historians, art historians, curators, museum professionals and suffrage experts, call upon the historiographical developments of the last thirty years, alongside new archival discoveries, to showcase the vibrancy of ongoing research in this area. Throughout, chapters investigate the wider socio-cultural backdrop to suffrage and the women’s movement, the difficult choices that were made between professional, artistic aspirations and political commitment, and how institutional and informal networks influenced creative expression and participation in feminist politics. From shining light on the use of portraiture to bolster the cultural cachet of the militant Women’s Social and Political Union, uncovering the links between Victorian interior design, enterprise and suffrage, through to questioning the supposed conservativism of women’s art institutions during the campaign and in the inter-war era, Suffrage and the Arts is a timely and important collection which will contribute to a number of scholarly fields.