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Editorial Introduction

Tom Cassidy

Biog: University of Leeds, UK Author affiliation details are correct at time of print publication.

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

2

...In this section, five examples of revitalization of culturally significant designs, products, and practices are provided. Perhaps we can consider these as three targets for design researchers and designers. The examples given will include...

The Challenge of Intellectual Property Rights for Culturally Significant Patterns, Products, and Processes

Tom Cassidy

Biog: University of Leeds, UK Author affiliation details are correct at time of print publication.

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Tracy Diane Cassidy

Tracy Diane Cassidy

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

6

... it as a checklist and awareness tool to remind them when the explicit stage(s) of design had been reached. Model illustrating the allocation of property rights to design knowledge. Adapted from Mwendapole (2005). © Tom Cassidy and Tracy Diane Cassidy...

Research Approaches for Culturally Significant Design

Tom Cassidy

Biog: University of Leeds, UK Author affiliation details are correct at time of print publication.

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

3

... and negative on two-fold rotation and bi-lateral reflection in certain Chinese arts and crafts. A more recent example of this approach is Tantiwong, Hann and Cassidy’s paper (2000) that examined symmetry characteristics in traditional Thai textiles....

Strategies for Revitalization of Culturally Significant Designs, Products, and Practices

Martyn Evans

,

Lancaster University, UK Author affiliation details are correct at time of print publication.

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Amy Twigger Holroyd

,

University of Leeds, UK Author affiliation details are correct at time of print publication.

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Stuart Walker

,

Stuart Walker is professor of design for sustainability at Lancaster University and emeritus professor, University of Calgary, Canada. He is the author of many award-winning publications and his propositional designs have been exhibited at the Design Museum, London, across Canada and in Europe. Author affiliation details are correct at time of print publication.

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Tom Cassidy

Biog: University of Leeds, UK Author affiliation details are correct at time of print publication.

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and

Jeyon Jung

Lancaster University, UK Author affiliation details are correct at time of print publication.

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

2

...Introduction Culturally significant designs, products and practices (CSDPP) are found in every society, country, and culture, and are tangible, durable, and portable artifacts that are linked to particular places, employ traditional making...

Editorial Introduction

Jeyon Jung

Lancaster University, UK Author affiliation details are correct at time of print publication.

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

3

... society for centuries. Tom Cassidy and Tracy Diane Cassidy acknowledge that there was little or no chance of being prescriptive about IPR in the context of culturally significant designs, products, and processes, but that it was necessary...

The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia

Sirpa Kokko

Sirpa Kokko

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

1

... and more extensive use of ICT (Shin, Cassidy, and Moore 2015). Since the Estonian language is only spoken within the population of 1.3 million Estonians, there is a need for efforts to reach a wider audience. In fact, VCA is making plans...

New Caribbean Design

Patty Johnson

Patty Johnson

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

0

...Introduction Design practice is rapidly changing in response to new technologies, global marketing, environmental concerns, and the internationalization of commodity flows and channels of production. Design practitioners need to address how...

Designing Authentic Brands

Emma Murphy

Emma Murphy

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

0

...Introduction1 Ask most people what they think is meant by branding and they usually describe it as the name of a product, advertising, selling, or simply a logo (see, for example, Davis and Baldwin 2006; Gordon and Langmaid 1988). At a more...

Culture as a Resource for a Sustainable Future in Indigenous Communities

Anne Marchand

,

Anne Marchand

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Karine Awashish

,

Karine Awashish

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Christian Coocoo

,

Christian Coocoo

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Solen Roth

,

Solen Roth

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Renata Marques Leitão

,

Renata Marques Leitão

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Cédric Sportes

Cédric Sportes

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and

Caoimhe Isha Beaulé

Caoimhe Isha Beaulé

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

0

...Introduction: Rootedness and creativity The Atikamekw people, as most First Nations groups in Canada, face a number of challenges in relation to the perpetuation of their identity. Members of the Atikamekw Nation and a team of Université de...

The Case of the City Different

Marsha C. Bol

Marsha C. Bol

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Design Roots : Culturally Significant Designs, Products, and Practices

Bloomsbury Visual Arts, 2018

Book Chapter

0

...Introduction Tiny Santa Fe, New Mexico, consistently ranks among the top five cities in the United States to visit by Travel + Leisure magazine. In 2004, this small city was the first in the United States to be designated a UNESCO Creative...