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‘I loathe the thought of suffrage sex wars being brought into it’: Institutional conservatism in early twentieth-century women’s art organizations

Zoë Thomas

Zoë Thomas is Lecturer in Nineteenth-Century Britain and the Wider World at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

4

... to have had more clear links with the suffrage campaign from its beginning. See Cherry, Painting Women, 69–70. For the Women’s Guild of Arts see: Zoë Thomas...

Introduction

Zoë Thomas

Zoë Thomas is Lecturer in Nineteenth-Century Britain and the Wider World at the University of Birmingham, UK. Author affiliation details are correct at time of print publication.

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Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

4

... about visual culture, feminist politics and interwar activism. Zoë Thomas , ‘Historical Pageants, Citizenship, and the Performance...

English suffrage badges and the marketing of the campaign

Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

0

...The period in which suffrage badges, buttons and brooches achieved the height of popularity in the English campaign extended from approximately 1908 to 1914. For the most part, their manufacture was discontinued during the First World War...
... Zoë Thomas , ‘At Home with the Women’s Guild of Arts: Gender and Professional Identity in London Studios, c....

The artistic, social and suffrage networks of Glasgow School of Art’s women artists and designers

Liz Arthur

Liz Arthur is the former curator of dress and textiles for the Glasgow Museums and the Burrell Collection. She is also the author of a number of catalogues and books including, Robert Stewart Design. Author affiliation details are correct at time of print publication.

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Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

2

... Orr ( Manchester : Manchester University Press, 1995), 70–85 . With thanks to Zoë Thomas for bringing this reference to my...

Window smashing and window draping: Suffrage and interior design

Miranda Garrett

Miranda Garrett is based at Central Saint Martins, University of the Arts London. In addition, she is a freelance museum professional and has previously worked at the Society of Antiquaries of London, Historic Royal Palaces and Leighton House Museum, all in the UK. Author affiliation details are correct at time of print publication.

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Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

0

...Both Agnes Garrett (1845–1935) and Emmeline Pankhurst (1858–1928) were active campaigners for women’s suffrage. Both women also established themselves, in the final decades of the nineteenth century, as professionals in the field...

An Irish harp and sleeping beauty: The politics of suffrage in the textile art of Una Taylor and Ann Macbeth

Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

4

... message from Zoë Thomas, 10 February 2016. See also, Zoë Thomas , ‘At Home with the Women’s Guild of Arts: Gender and Professional Identity...

Painting suffragettes: Portraits and the militant movement

Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

1

... heroines, who was depicted numerous times by artists including Sir Thomas Lawrence (1769–1830). Even the unusual green tone of her dress is suggestive of the reflection of limelight. The language of the theatrical portrait, which was developed...

Suffragette attacks on art, 1913–1914

Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

0

...Just before 9pm on Thursday, 3 April 1913, an attendant on duty at Manchester Art Gallery heard breaking glass in Room 2, the main room of the Gallery’s permanent collection, where works by John Everett Millais (1829–1896), Dante Gabriel...

Images of empathy: Representations of force feeding in Votes for Women

Suffrage and the Arts : Visual Culture, Politics and Enterprise

Bloomsbury Visual Arts, 2019

Book Chapter

1

... in Bodies of Writing, Bodies in Performance , eds., Thomas Foster , Carol Siegel ,...